Hello All! It has been quite a long time since I have written a new blog post. I never intended to take such a big break. Oops! We are long past welcoming in Autumn, but since it is my FAVORITE season I thought that before it exits I could dedicate a post to some of my Autumn Art!
My Spoonflower Shop has so many designs tagged Autumn and/or Fall I decided to dedicate an entire COLLECTIONto the theme. These designs are gathered from many other Collections and do not all necessarily color coordinate with one another, their common bond is that they evoke the colors or images of Autumn.
One of the designs in that Collection and actually one of the very first patterns I ever uploaded to Spoonflower is my Pumpkins and Squash Design. This one I adapted from a note card I designed.
I also have a design that features only Pumpkins. I created this from an Illustration I did for the Alphabet Fruit and Veggie Challenge from a few years back. As you can seeGeometric Pumpkins is VERY different in style. This is interesting to me. I think my signature style is definitely more refined now and while I don’t feel the need to make everything geometric I do tend to gravitate to that stylistic choice a lot. If I was going to choose a pattern that felt more “me” I would choose the geometric pumpkins…
I didn’t do a regular Art Challenge in 2021 (which is of course just one of the many reasons for the lack of blog posts) but I have done a few different ones in the past. You might recall the monthly architecture/house illustrations I did where I followed along with the seasons. I ended up with two fun Autumn themed illustrations in that batch:
I also had a year long Alphabet Animal Art Challenge. I did NOT have a turkey included in that Collection. But I eventually created one in the same style. I am not sure if an animal can really qualify as a seasonal species but if there was an autumn specific animal I think it would definitely have to be a turkey! I did two versions of this cute guy. The second time giving him more detail and some Thanksgiving garb!
It is time for the Year End Recap for the Alphabet CITY Art Challenge! I’ll share my overall thoughts at the end. But first let’s start by looking at the illustrations!
What a great mix! I love the variety in the group as a whole. It is a great collection overall!
It is interesting seeing the variating and color distribution of the title stripes since I just sort of picked colors randomly as I went (Trying to use the three color options evening but not really paying attention to how the final mix would look). When I created the Clock Tower I loved how title stripe was layered behind the clock tower (out of neccessity). I hoped to have more boards like this but if never really worked out again.
One thing I love about the this group that wasn’t true with the previous two challenges is the consistancy of color! I began with a set color palette already in place from my CITY Collection. It was this Collection that also inspired the overall look and scale of the illustrations and I love that I now have many more buildings to add to all the existing ones I originally created for my Around the Town design:
There a large number of illustrations that do not incorporate with these because of scale, or view, or “levels” (like the subway). But there are many that do. When it worked, I was consistant with door height etc so that all the “regular” scale ones CAN work together. In the course of the Challenge I did create a few street view illustrations here is a reminder of what they look like:
It is impossible for me to pick a favorite out of the group or even a top 3. Instead you can read about more about my thoughts on the groupings of illustrations in the 3 previous Recaps (linked at the end of this post).
Also part of the Challenge were the CITY Blocks I created for each letter. Here is a look at them all together:
The look of these were inspried by the original CITY Collection Logo. All letters are my own original font:
I love this font overall and definitely plan on using it in the future. I will probably need to do a few tweaks. I did not like the “B” when I created it… and I still don’t! But I never got around to editing it.
Unlike the previous challenges I have not created any new patterns or cards featuring these illustrations. I do have a project planned for them AND the font! A very exciting one in fact. But it is something I am keeping secret for the moment.
Overall I think this challenge was easier to execute than the others since architecture is already a strength of mine. And I really enjoy drawing buildings and built spaces so it was mostly fun. But having to stick to the alphabet was not always enjoyable. And of course there is the deadline of the 2 week time frame…
So for 2020 I have decided that there will not be an alphabet challenge. While it is a great way to motivate me to create new art pieces on a regular basis, the alphabet component is too constraining. Also… this has been an Instagram centered challenge and with all the algorythym changes the posts just aren’t getting much engagement. This wouldn’t be such an issue if these posts were spread across multiple platforms. But if the main place I am sharing the art isn’t showing the art to many people, then I am mostly just creating for myself. With that in mind… I think my design time will be better spent elsewhere.
To those have been following along and liking etc for the past year (or longer) BIG THANKS! To those just reading about this challenge here are the previous posts so you can catch up!
And that’s a wrap! After 3 straight years of Alphabet Challenges I look forward to a change! I hope you will follow along with me on Instagram as I share more new work this year (including a NEW, non-alphabet challenge I will be doing monthly).
THANKS for Reading! And feel free to comment below. I love hearing your thoughts!
Today I am sharing with you an easy handmade Christmas gift idea that you can make with SCRAPS! Yay! Scrap busting ideas are always welcome to me! Hopefully they are for you too! And since you can use scraps, you could sew up a few of these in time for Christmas. (You could change up the batting if you don’t have it on hand).
This is sort of a simplified tutorial (my first ever!) I’ll describe how I made these in a few short steps but no photos of the process.
But first: The fabric! The main fabric I used for these ornaments was one of my own designs: Checkered Christmas, in both the Merry (top) and Festive (bottom) colorways.
I originally purchased this fabric for another Christmas gift project which you can read about in this POST. The fabric type was Spoonflower’s Lightweight Cotton Twill (but you could used any woven type of fabric you’d like). I paired it with some Forest Green Canvas in my stash. I cut the main fabric at an angle to add a little visual interest and fused it with a layer of batting to give it some extra thickness. The ribbon for the loops was also in my stash. You could also use embroidery thread, yarn, or even a tiny loop of thread for an ornament hook to attach.
Before diving in I want to say that these instructions are for a medium weight fabric like the Canvas Twill. If you choose something lighter, like quilting cotton, you may want to interface pieces, add fusible batting to the trunk, or even have the batting on both pieces of the triangle. You want to make sure there is a enough stability that they can hang nicely.
Step 1: For each ornament CUT: (2) Tree Top Triangles, (2) Tree Trunk Rectangles, and (1) Fusible batting triangle approx 3/8″ smaller all around than the tree triangle. (See Diagram at the end of post for dimensions).
Step 2: Fuse 1 side only of the tree top triangle with the batting. (You could skip this step or interface with non-batting instead.)
Step 3: Sew tree trunk rectangles right sides together on 3 sides with a 1/4″ SA, leaving the top unsewn. Clip corners, turn right side out and press well.
Step 4: Sew tree top triangles right sides together with a 1/4″ SA, leaving an opening in the bottom center slightly wider than the finished outside dimensions of the tree trunk rectangle. Clip corners, turn right side out and press well.
Step 5: Insert the trunk into the bottom of the tree, unsewn side up approx. 1/4″ Secure with a pin, washable tape etc.
Step 6: Add top attachment piece of your choosing. For my trees I secured the ribbon loops to the top of the trees with a few hand sewn loops of thread. I THINK I did this before sewing the tree opening closed so I could hide the knotted ends INSIDE the tree.
Step 7: Top-stitch around entire tree outline with a 1/8″ SA (which will attach the trunk to the tree top).
And Voila! Your simple ornament is finished! Repeat steps 1-7 for as many as you’d like. As you can see below I made A LOT of these!
I hope this tutorial was helpful. If a step is unclear please let me know so I can clarify!
These are the approximate dimensions for my trees. I made these for Christmas 2018 and the trunk might have been sized slightly differently. I had hoped to have a pdf download of the “pattern” as part of this post. (and may add it in the future). For now, if you would like a printable copy of the pieces let me know and I can send them too you.
Thanks for much for reading! If you make this and share online please be sure to tag me so I can see your creation! On Instagram: @brendazapotosky
Today I am bringing you the Year End Recap for the Fruit and Veggie Art Challenge and I am very excited to be wrapping things up! Actually… this is sort of a Part 1 as I have a follow up post planned… but more on that at the end. And if this the first time you are hearing about this challenge, you may want to read the orginal challenge announcement HERE.
Let’s begin with a look at all the fruit and veggies I illustrated this past year:
I think it is such a fun and colorful collection! I love seeing them all together like this. My design parameters for this challenge were to do a geometric interpretation of the fruit/veg which included simplifying shape lines, segmentation, and using hatch, dots etc. to create texture. You may notice that all the boards also include a background rectangle(s). This was not originally planned, but I added it for the asparagus to fill in the white space and liked it so much I decided to make it a standard feature for all the boards! Overall, I am extremely happy with this collection as a whole. I already shared favorites and other thoughts in my quarterly recaps so I won’t do that again. If you missed any of those, they are all linked at the end of this post.
As with last year, one of the goals of this challenge, besides committing myself to creating new art on a regular basis, was to create a library of illustrations that could be used in other ways. I would definitely consider this aspect a success. I created three new patterns which incorporated one of more of the fruit/veg and have ideas for a few more in the future. I have also had a request for a poster version that would include most of the illustrations. This will be similar to the animal art poster I did last year but smaller and probably without the words. You can see that poster in THIS post.
Two patterns I created featured just one illustration: Geometric Carrots and Geometric Strawberries (which has two different colorways).
I also created a pattern that uses many of the above fruit/veg along with some other ones not part of the alphabet collection. Geometric Taco Bar was created for a Spoonflower contest.
All of these designs can be found as fabric, wallpaper and gift wrap for sale in my Spoonflower shop. Along with several other geometric food designs from the past. Here is a link to the entire Geometric Food Collection.
The other major component of this year long challenge was the Letter Prompt lists that I posted at the beginning of each fortnight. These prompts included an original block letter and a list of fruit/veggie ideas that began with that letter. Here are all 26 together:
I tried to include 7 options for each letter but as you can see that wasn’t always possible. I enjoyed learning about different fruit/veg I had not heard of before. The font is an expansion of a slightly more simplified block font I had started a few years ago. (You can see an example of the letters on my Colorful Merry Christmas Text pattern.) I had been adding to it as needed so not all the letters were there. AND I modified the look of most of them and added all the hatching. It was nice to create a font in increments like this. It made it much less tedious. I am super happy with the alphabet as a whole:
I definitely plan on making a repeating pattern with these letters. And I am excited to play with lots of color variations! Plus, now I have it to use for future projects! WIN!
Overall I think I can call this year long challenge a success! Admittedly, I wasn’t always enthusiastic to work on some of them. And I was definitely happy to reach the end. But looking back on the library of illustrations and letters I now have I am happy I did it!
And… so did two others! Yup! Two fellow artists followed along and completed *most* of the challenge! Since their work is so different from my own and I knew this blog post would be long to begin with I have decided to give them their own Featured Artist Post. COMING SOON! (I will link it once it is live). You are definitely going to want to come back and see their beautiful creations!
And as mentioned above, in case you missed any of the previous posts about this challenge here are all the links:
Finally there IS a new challenge for this year! We are still in the middle of letter A so if you feel inspired to join in you still can from the very beginning! The theme is CITY and you can read all about it HERE. Or you just follow along with me!
Do you have a favorite? Any fruit or veggie you would like to see as a pattern? I would LOVE to hear from you in the comments!
It is time for the 3rd “Quarter” Recap for the 2018 Fruit and Veggie Art Challenge! Letters N thru S were an interesting group and I am beginning to see some of the limitations of my “geometric” design criteria. Before I jump into my thoughts on this group let me share my 6 fruit and veggie creations for this portion of the challenge:
Overall I really like this group.
You may notice that the pear and quince are quite similar. This was completely intentional. I thought since their shapes are so similar AND they are in season around the same time that it would be nice to have them “go” together. While I already have a Geometric Apple pattern in my shop, I think I would like to do a new apple that matches the style of the pear and quince and create a pattern using all of them.
Also, I had an interesting creative process with a few of these. I recently created a new pattern, Geometric Taco Bar, that includes a variety of fruit/veg, including both the onion and the radish. The letter “O” fell during the time that I was making the pattern so it was created for both at the same time. As for the radish, that was created for the pattern first, but I did not feel compelled to do another “R” fruit/veg when it arrived, so I simply composed a board featuring the Radish.
I also included both the Jalapeno and Iceberg Lettuce which were created earlier in the Challenge (adding in slices of each). I love this pattern.
It is hard to pick a favorite in this group. I am actually more prone to pick a least favorite: The nectarine! It is difficult to differentiate between the specific varieties of round fruits especially in the geometric style I have chosen. I like the cut view of the nectarine better and do think it captures the essence pretty well. This difficulty is one of the limitations I was referring to at the start of this post. I am also finding that even in the “non-circle” fruit/veg that there are a lot of similar looking shapes. For example, radishes, beets and turnips, when drawn in the geometric style are also hard to differentiate. The same would hold true with leafy greens. Hopefully enough unique shapes will present themselves as I complete the challenge.
One fun aspect of this group is that half of them have been included in surface patterns! The onion and radish are both part of the Geometric Taco bar design. Additionally, I love the strawberry so much I already created a pattern for it! This pattern will be added to my shop very soon. So that is 3/6. And, as I have already mentioned, I hope to create a pattern using both the pear and quince together. One of my favorite aspect of this challenge is a library of illustrations to use in other applications.
Speaking of the strawberries, I wanted to share a look at the pattern! I have ordered the swatches, so it will be in my shop soon. But I do want to say it COULD CHANGE. I often tweak designs after seeing them printed, so this is how it will tentatively look.
This is the Classic colorway. I also created a Pinky colorway too! I’ll update this post when they are available in my shop.
And that’s a wrap! Looking forward, I expect this final batch of letters to be challenging. For the most part I do not look at the options for a letter until I make the prompt list, so there is a chance that I will be surprised, but I think the options for everything but “T” to be very limited. Follow me on Instagram if you want to see each letter (and the prompts as I create them).
With the end of June it has officially been six months since the 2017 Art Challenge: Alphabet Animals has come to a close. I wanted to do an update since I have used those animals I created in quite a lot of new designs! One of the goals of the Challenge was to create a library of illustrations I could use in various ways and in that goal I have had much success! So today I want to share all the creations that I have made since the challenge ended. If you are hearing about this challenge for the first time you can read the final blog post recap and see ALL the animals. You can also see the other designs I created last year.
I’ll start with surface patterns. All these have been created this year, so after the close of the challenge. Since in many cases I ended up tweaking the animal illustrations I will share a look at the original animal and the pattern side by side!
All of the patterns I have created this year with animals so far have been created specifically for Spoonflower Design Challenges (although one did not end up being entered as you will soon learn).
As you can see for this pattern the quail is playing a supporting role. I removed its top plume and did some recoloring to make it more “generic bird” versus a quail specifically. I really love how it fits in so well with the other farmhouse images I created. Modern Farmhouse is available in my Spoonflower shop.
Elephants and Polka Dots
For the “Endangered Species” Design Challenge I chose to feature my elephant illustration. I didn’t make many changes to this character. I changed the toe nail color to white and made the line weights for the facial features a little thicker. (And overall color changes of course). Since my elephant already had a unique polka dot detail I decided to build upon that for the pattern. I actually created 4 different colorways of this design. The Taupe colorway one you see here is the version that was entered in the contest. You can find it and the 3 other colorways in my Animal Fun Collection. This was actually the second time this elephant was selected from the library. Last year I created a greeting card featuring the elephant!
Hedges and Hedgehogs
The idea for this pattern was in my head almost immediately after creating the original hedgehog so I was very excited when the “Animals by Land” Design Challenge was posted giving me the perfect excuse to create it! I kept the hedgehog mostly the same but tweaked the facial features again on this one, the most noticeable being that I gave it a round eye. I think it is cuter that way! The hedges got a bit more colorful too! Find Hedges and Hedgehogs in my Spoonflower shop!
Mostly Happy X-Ray Tetras
Last but not least is my X-Ray Tetra. For this one, I kept the pattern simple since there is already a lot of detail in the fish itself. I did play with adding some polka dots, but I didn’t like them. I did, however, do a fun little switch-up! As the title suggests, not ALL these tetras are smiling… I added some frowny ones to the mix and reversed their coloring in places to make them just a bit more distinctive. This design was created with a contest in mind but was never entered because I got the THEME wrong!!! I thought it was Animals by/in/of WATER since the previous two contests were Land and Air… but for this one Spoonflower mixed it up and themed it “Animals of the OCEAN”. Technically tetras are not ocean fish (which I learned through research, I am not a fish expert!) and I did not feel right entering this design. Oh well… at least it gave me the motivation to create it since this was also a pattern idea I had in my head for a while! Mostly Happy X-Ray Tetras is also available in my Spoonflower shop.
I have created one new card since the close of the challenge. I have a niece and nephew who both turned 3 in June (cousins, not twins) and I thought the koala was a good pick since it was already holding onto to something making it easy to swap in the number 3. I also changed the hat to a party hat. I left the koala itself the same (even the position of the arms worked as is for the number 3!)
I was there when my niece opened her card and upon seeing it she recognized it as a koala! Granted she had recently seen a show that had koalas, but still, it made me really happy to know that my characterization was accurate enough for her to name the animal specifically! I call that success. The koala cards joins several other animal cards I created last year which you can find on my Cards and Gift Wrap page.
The biggest thing (literally) that I created with the animal illustrations is a poster that incorporates ALL of them! As I mentioned above my niece and nephew turned 3 and I decided that for their gifts I would create this poster. It was actually quite a bit of work to pull it all together and fit them in a logical way and adding in all the text circles, title, etc.
In addition to removing all the “props” that were originally paired with I also did some minor re-scaling, both enlarging and reducing scales of some of the animals to get them to work better as an ensemble. Other than that all the animals except one stayed the same as the original in look and color (all the tweaks I made for the patterns came later). The one animal that DID get changed was the armadillo since that was my very first illustration and it did not have the same “cute” look that I started with letter B. Here is the “Before” and “After”.
It was actually my husband who suggested I make them “cuter” after seeing the first animal, armadillo. I am so happy he did, because it definitely enhances my already slightly cartoon-ish interpretations. And I am glad I changed up the armadillo for the poster!
It is definitely a bit of a gamble to give the gift of art. Especially BIG ART that is intended to be hung in someone’s house. I took that chance because I thought my niece and nephew as well as their parents would like the gift. And because I expected these to be hung in the kids’ rooms and not the main house. I am so happy to report that gifts were well received AND have both already been hung! Here is a look at the posters “in the wild”.
I printed these posters at a standard 20″ x 30″ but sized the poster border proportions to work with a favorite IKEA frame line that I love (Its similar sized frame is 19.75″ x 27.5″). (Seriously, almost every wall frame in my house is from this line). For the smaller frame on the left (which I framed) I trimmed it to fit the slightly smaller proportioned frame. My sister opted for the same IKEA frame but with bigger dimensions so it has a mat (on the right). It is fun to see the two looks side by side.
My husband’s reaction to seeing the poster for the first time was that I should sell them! After selling greeting cards for a number of years I decided that being a producer really wasn’t for me. I have been focused for the last several years solely on designing and selling my work where someone else does all the work. However, these posters, which I am extremely pleased with, have me actually considering maybe selling (on a VERY limited basis) again. It is just an idea at this point. I would probably sell them both wholesale and retail if I did. If you are a retailer or an individual and would be interested please let me know! If there seems to be enough interest I would start investigating larger quantity printing!
And that about wraps it up! I anticipate using more of these animals in future design projects. Do you have a favorite you’d like to see used in something? I’d love to know!
SPECIAL NOTE: Sprout Patterns which is discused in detail in this post is no longer open. I have decided to keep all the Sprout content as part of this post. Unfortunately you will not be able to purchase the product I used. You CAN still get the Lark Tee Pattern from Grainline Studio.
It is time for another installment of “Sewing and Design Meet”. This time I am sharing all about my Pebbles design and what I have made with it. The majority of this post will be focused on the Lark Tee I sewed via a cut-and-sew project I ordered through Spoonflower’s sister site, Sprout Patterns, and I will be speaking a bit about that experience too. At the end I’ll share a quick look at a simple winter accessories set I also made. This post is LONG. If you don’t care about sewing details you can read about the design and then just scroll and look at all the photos 🙂
Pebbles is a coordinate I created to go with my Sandcastles design as part of my Beach Bliss Collection. I originally offered this print in 2 different colorways and then added a third one which does not actually color coordinate with the collection because I specifically created it for the winter accessories project.
The Sandcastles design was created from hand drawings that I vectorized and turned into a pattern in Illustrator. I included pebble details on the sandcastles and as background infill. To create the Pebbles print I pulled out pebbles from the pattern and arranged them into vertical lines. Below is a look at Sandcastles and some of the original hand drawings. Most often, even if I do a hand drawing first, I completely redraw them in Illustrator, but this time I used auto trace since I wanted to maintain the feel of the hand drawing which I think matches the beach theme well.
FABRIC AND SPROUT PATTERNS:
Instead of purchasing “raw” fabric for this project I ordered my fabric AND pattern through Sprout Patterns. If you are not familiar with Sprout they are one of Spoonflower’s sister companies. With Sprout, you can order sewing patterns from a wide range of companies and designers printed directly on the fabric! It is the ultimate, cut-and-sew: all you need to do is cut around the outlines of the pieces and start sewing! With your Sprout purchase you also get a pdf copy of the pattern so you can sew it again in the future and also use the pieces for adjustments, etc. (Which I definitely did). I chose the Multicolored version of my Pebbles design printed on Modern Jersey. Here is a look at a portion of the printed fabric where you can see a pattern piece and how the design continues on the unused fabric:
There are some pro’s and con’s to using Sprout and I think ultimately it will vary person to person on whether this sort of sewing experience is right for you.
This is definitely a time saver. Not only does it save you the time of printing and assembling a pdf or cutting out a paper pattern, but it saves on the time it takes to cut fabric too since all the arranging of the pieces on the fabric and lining up the grainlines etc. is already done for you.
You can order exactly the amount of fabric you need! Instead of having to over buy on yardage numbers, the cut of fabric you get from Sprout will give you the fractional yards without having to buy a full 2 yards for example for a 1.5 yard project. You can also mix and match fabric designs within a project… so if you want all your trim pieces to be a different fabric, you can select a different fabric design or even a solid color for those pieces.
Even though the fabric is sized to fit the pattern, for many projects there will still be some unused spaces leftover. Sprout prints the fabric design on these areas too (as you can see in the photo) so you might end up with some bonus fabric pieces you can use for something else. (I did end up NEEDING some of my extra, which you will read about below).
You can only choose to have one size printed… they do not grade between sizes. If you are a “straight out of the package” size this is probably not even a con. I am most definitely NOT a single size gal and this is a big issue for me. I found a way to work around this and grade a bit between sizes which I will discuss in the sewing section of this post.
One last detail that is VERY important to note is that you MUST follow washing instructions. I learned this the hard way as I shrunk my fabric, which changed the size and proportion of the pattern pieces! I am so used to pre-washing my fabric in a blast of hot water and hot dryer to get the fabric to shrink as much as possible before I sew with it, I was basically on auto-pilot and did the same with this project. BAD IDEA. I was able to make it work, thankfully, but my shirt is a bit shorter as a result. AND I had to cut new sleeves. Thankfully they were the cap style and needed very little fabric and were able to fit on unused portions of the fabric but it is a bummer that I had to do that instead of saving those sections for a future project.
The Lark Tee is a basic tee shirt with a ton of options. For my Sprout project I chose the scoop neck with cap sleeves (but as I mentioned above you get the pdf so you get ALL the views and variations with it and can print it and use it like a regular pattern. I have already made several other versions). I chose Modern Jersey as the fabric option. The sewing is very straightforward so I won’t really go into that, but I do want to talk a little bit about grading the pattern.
I am pear shaped and in this pattern (and pretty much all Grainline top patterns per the SIZE CHART) I am a size 4 bust and my hips sort of hover between size 8 and 10. But with Sprout you can only pick 1 size, so I had to do some creative thinking. I have square shoulders and a wide upper back so I usually like to go up a size (to a 6) for my bust. And since this was a stretchy tee, I figured I would be safe going with the size 8 for my hips. So I ordered a size 8 with plans of using the pdf pattern pieces to grade the top smaller. Of course needing to print and assemble ALL the tee pieces pretty much negated the fast and quick factor of Sprout, but I really wanted to try the whole process once to see how it worked, AND it was still faster having the pieces already outlined on the fabric since it saved me from laying them all out and finding the grain, etc.
As I mentioned above, I unknowingly shrunk my pieces, so when I laid the pattern pieces on the printed fabric things did NOT line up like I expected. The fabric shrunk WAY MORE vertically then it did horizontally… so they weren’t smaller everywhere, more like squashed. In the end it was almost good that I was grading it smaller, because I was able to fix this with my adjustments. It did mean however, that the top got shorter. AND, the size 6 sleeve piece did not fit within the outline. Thankfully, there was enough extra fabric elsewhere to trace the sleeves. After that was all worked out the sewing was easy! Especially since I sewed it twice with other fabrics prior to cutting into the good stuff.
Overall I am very happy with the fit of this tee. I LOVE the size of the scoop neck! It is basically my “dream scoop”. The sleeves are maybe a tad snug for cap sleeves and I would like the tee to be an inch longer (but that was the fault of the shrinkage). I absolutely LOVE the Pebbles design as a tee, but the white background version might not have been the wisest choice. (Thankfully I ALWAYS wear a tank top under everything). I also do not love it in Modern Jersey and wish I would have chosen the Cotton Spandex instead. I have sewn a TON of things with Modern Jersey, I love the fabric, but for a tee shirt… it is just not breathable enough for my tastes. But this is totally personal preference. I am a natural fibers gal.
*** You might have noticed a pants change in these photos… I actually took photos on multiple occassions (months apart!) and locations. I actually finished this top last year! The blog post was so delayed I had a chance to take another round!
As stated at the start of this blog post, Sprout Patterns is no longer open. You can still make your own! You can buy the Lark Tee Pattern from Grainline Studio directly. It is also available as a paper pattern. And the Pebbles design on Spoonflower seperately.
PROJECT #2: Neck and Ear Warmer Matching Set
Technically this Project #1 since I made this well before the tee shirt but the blog post flows better to have it at the end. Using the Drizzle colorway of the Pebbles design, printed again on Modern Jersey, I made a matching fleece-backed ear and neck warm set. Both of these are self-drafted. I love the fit of the ear warmer but I think I would tweak the neck warmer proportions should I make it again. And I would not use the Modern Jersey again. While I do love it for infinity scarfs, in this application where I backed it with fleece, a fabric with more structure like cotton spandex works better. I have made several ear warmers and the ones that used cotton spandex are much smoother against the fleece.
That’s it! You made it to the end! Woop! I actually have made one other item with some of Sprout leftovers, a headband, but I don’t have a good photo to share. (And still have pieces left I could use as accents on a future project too!) I think I covered everything, but feel free to ask any questions or just say hello in the comments.
It is here! The first blog recap of the 2018 Fruit and Veggie Art Challenge! 6 letters and 12 weeks completed! Wow. This new theme has been quite fun and overall, for me at least, easier than the Alphabet Animal Art Challenge from last year. If this is the first time you are learning about the 2018 Alphabet Art Challenge I recommend reading this blog post first.
Also, a side note: I have been struggling with what simple word to use when writing about my illustrations. I have settled on the generic combo fruit/veg to try to make things as simple as possible 🙂
Let’s start with a look at the first 6 illustrations I created:
4 Veggies and 2 Fruits so far. As I shared in the original blog post for this year’s theme, in addition to the Alphabet Fruits and Veggies I am also giving them all a “geometric” flare. I am absolutely loving this twist on the theme as it frees me from trying to exactly recreate the fruit/veg I have chosen and gives me a bit of creative flexibility. It is quite fun to choose my fruit/veg then think through the best way to geometrically create it. In addition to the fruit/veg itself each illustration has a rectangle and hatching as part of the composition. I added this for the first item, asparagus, to fill in the blank space and liked it so much I decided to make it a standard element for all the illustrations. I think my favorite illustration this round is the Fennel, it was such a perfect fit for my geometric style. Here is a closer look:
I also really like the carrot. In fact, I have already made it into a repeating pattern and added it to my Spoonflower Shop! I think this Geometric Carrots print would be especially fun for the kitchen!
I anticipate more patterns in the future and probably a few that incorporate more than one fruit/veg. Those will probably come closer to the end or after the challenge once I have an entire collection.
Probably the biggest challenge I have encountered so far is fitting the fruit/veg well on my template. I really liked the framed square I used for the Alphabet Animal Art Challenge and definitely wanted to keep the square format for this year too, however, so far the fruit/vegs have been much more vertical than the animals. Had I thought of this before starting I might have tweaked the format of the squares. This is another good reason to incorporate the background rectangles and sticks as they help to fill the space.
Like last year, I extended an invitation for other artists to join me in the challenge. Not sure if fruit/veg are less appealing than animals, or that others found it too difficulat to stick to a year long challenge, but participation is down from last year. (Actually last year started strong and then eventually everyone except myself dropped out). 3 other artists started the year with me. I wanted to give them a shout out because I loved that they joined in. And since there are less options with fruit/veg there were often repeat picks which I think is quite fun. You can see all our creations on Instagram via the hashtag for the challenge: #2018fruitandveggieartchallenge. You can also check out all of the artist’s individual feeds: onecreativechameleon, deevlasak, and jillbyersdesign
Jill from jillbyersdesign is the only artist that has also completed every letter and I wanted to give her a special mention! She is also using a consistent design style and I absolutely LOVE how her collection is coming together!!! Her style is so different from mine which is super fun. Painting is NOT my strength, but I have done it enough to really appreciate the gift in others. Jill definitely has the gift. Here are her first 6 fruit/veg paintings!
So gorgeous, right? I highly recommend giving her a follow on Instagram. You can also find more of her work on her website and in her own Spoonflower shop (which is how we “met” in the first place!)
Speaking of other participants… you could still join in if you wanted! I think that the fruit/veg are so much faster to create you could easily catch up at this point. Or simply start at the latest letter: G! I even create a prompt list for each letter to give you ideas. Find the latest one here.
I think that about covers it all. I would love to hear which fruit/veg is your favorite! Or any other comments you may have 🙂
It is time for another edition of Sewing and Design Meet! This time I am sharing about my Transit Lines design and the tote bag I made with it. This design is part of the City Collection which can be found in my Spoonflower shop.
When putting together a new collection I don’t often sit down and sketch out ideas for coordinates but for CITY I actually did. My original idea for the Transit Lines design was to have criss-crossing lines going in many directions, similar to a subway map. However, as I started drawing it in Illustrator I really loved the look of just the horizontal lines with the thickened bars and decided to take it in that direction instead. I love how the pattern is a versatile stripe and yet, when paired with its title, can easily (I think) invoke images of the city site that inspired it. Whether you interpret the thick bars as trains or stations is up to you! I also really love the color palette I decided on for this print: mostly neutral but with pops of color.
A few years ago Spoonflower had an awesome and rare 50% off sale on Eco Canvas and I ordered a couple of yards. One yard I divided into (2) 1/2 yard pieces with the intention to make a tote bag with each of them, although at the time I did not have a specific pattern picked out. I ended up choosing free tote patterns from Purl Soho for both of the totes. I have a previous blog post about the first one I made, the Railroad Tote, and some zipper pouches I made with the extras. I chose the Everyday Tote for the Transit lines design as I thought the more horizontal shape would suit it well.
The Eco Canvas has pluses and minuses for me personally. On the plus side: It washes and sews well and colors are bright and vibran. On the minus side: It is much softer and drapier than other canvases which is something I do not like. But I think this is really just a personal preference. I gave the Railroad Tote to my mom and she loves that soft quality. When making the zipper pouches I decided to interface the Eco Canvas portions and I was much happier with the structure. So for the Everyday Tote I knew I wanted to interface those pieces. I needed to do some construction changes to accommodate this (Along with a bunch of other construction changes) which I detail below.
There were a lot of steps to making this bag, including some extra ones that came along with my changes, but otherwise it was straight forward and easy to sew. I didn’t take a lot of in-progress photos (my sewing space is not photo friendly) and it was difficult to get a good overall look of the bag. Here is the best one:
As mentioned above, I made several construction changes when sewing up this bag. I knew I wanted to interface the Eco Canvas pieces and since the bag isn’t lined, I needed to underline at least those portions so that the interfacing was not exposed. After contemplating solutions for this, I decided to also change how the bag panels were sewn. Per the instructions, you cut two full side pieces from what eventually becomes the “upper” fabric, and then cut bottom panels of the “lower” fabric which go over top the first fabric on just the bottom portion. There are some good reasons to sew the bag this way. It ensures you aren’t relying on a horizontal seam to hold the top and bottom half of the bag together and it creates a nice double layer for the bag base. But, it meant that 1/2 of my good patterned fabric was going to be covered which I wasn’t crazy about. So, I decided to instead cut both pieces at half height and let the seam where the bias “piping” detail is connect them together. Since the bag side pieces were already cut, I chose to cut one in half height wise and that determined the height of my bag (and preserved a nice FQ sized piece of the Transit Lines for a future project!). I sewed the top and bottom halves together with the accent bias “piping” in between. I then UNDERLINED the entire height of the bag sides with a coordinating quilting cotton that I had leftover from the previous Eco Canvas projects. I quilted this to the bag panels which helped provide the extra stability I lost when I changed the construction. The quilting, despite using a walking foot AND having design lines to follow, is kind of wonky… Quilting is not my forte! Despite the lackluster quilting, I absolutely love the end result inside the bag. I think the quilted underlining really gives the bag a high quality look!
Other changes I made:
I flip flopped from the directions which fabric I used for the front and back of the pocket so that I could enjoy more of the print. I also made the pocket wider since there was plenty of room to do so.
I changed the order of sewing so that the folded over top hem of the bag was sewn last. I did this on my Railroad Tote too. By saving it until last the tops of the side seams are concealed instead of exposed.
Longer straps. I like to wear my bag over my shoulder and longer straps make it more comfortable when I do.
I chose to use 2 different colors of bias tape instead of one and I am very happy with the results. On areas where I wanted the trim and finishing to stand out (like on the exterior seam or around the top of the tote fold over hem) I used black. To finish all the interior seams I used white.
The webbing I used for the straps (linked at the end) is a bit industrial. It works ok… especially since the Eco Canvas is also a synthetic, but I wouldn’t get it again. I purchased a large roll of it and have a lot leftover, so it will probably pop up in another project at some point. It was a really good deal though, and should be pretty durable (I hope).
I was hoping that this bag would work as my music bag and I am happy to report that it works perfectly! My previous bag was a freebie tote that I got when I worked in Architecture. It was rather ugly and advertised a window company that I am not even a big fan of (otherwise I might have posted a “before” photo). I love having my new “chic” bag that is me-made and features one of my own designs! It holds all my music, books, and misc. with room to spare! (And even packed can sling over my shoulder!)
(I have seen others do a summary like this and think it is a fun way to provide quick access info all in one place. I will probably make it a regular feature of my sewing posts.)